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John Goss "Praise, my soul, the King of heaven" is a Christian hymn.Its text, which draws from Psalm 103, was written by Anglican divine Henry Francis Lyte. [1] First published in 1834, it endures in modern hymnals to a setting written by John Goss in 1868, and remains one of the most popular hymns in English-speaking denominations.
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
The words may have originated in the Jesuit Order, which came into being after the Crusades. The words were first printed in a Münster Gesangbuch of 1677 , a Roman Catholic hymnbook. It must have become popular, in the manner of a folk-song, because it was recorded in 1839 by August Heinrich Hoffmann von Fallersleben in the district of Glaz in ...
"All Hail the Power of Jesus' Name" is a Christian hymn. The hymn has been called the "National Anthem of Christendom ". [ 1 ] The lyrics, written by Edward Perronet , first appeared in the November, 1779 issue of the Gospel Magazine , which was edited by the author of " Rock of Ages ", Augustus Toplady .
The strophe of "Sacris solemniis" that begins with the words Panis angelicus ("bread of angels") has often been set to music separately from the rest of the hymn. Most famously, in 1872 César Franck set this strophe for tenor voice, harp , cello , and organ , and incorporated it into his Messe à trois voix .
William Lamartine Thompson (November 7, 1847 – September 20, 1909) was an American composer and music publisher. He founded the W. L. Thompson Music Company and tried his hand with some success at secular compositions before finding his forte in hymns and gospel songs.
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The tune, Zahn No. 983, was written ten years later by Johann Crüger and first appeared in Crüger's Neues vollkömmliches Gesangbuch Augsburgischer Confession. [1] [3]The tune has been used many times, including settings by J.S. Bach: one of the Neumeister Chorales for organ, BWV 1093, [4] two movements of the St John Passion, and three of the St Matthew Passion.