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The Painted Grey Ware culture (PGW) is an Iron Age Indo-Aryan culture of the western Gangetic plain and the Ghaggar-Hakra valley in the Indian subcontinent, conventionally dated c.1200 to 600–500 BCE, [1] [2] or from 1300 to 500–300 BCE.
An examples of grey ware found in Pakistan was the Faiz Muhammad Grey Ware. This was manufactured during the Mehgarh Period V and included deep, open bowls and shallow plates. [3] The technology used for this type of grey ware was similar to the technology used in the grey ware found in east Iranian sites called Emir Grey Ware. [3]
Some examples of artistic expression also appear in abstract pottery designs during the Black and red ware culture (1450-1200 BCE) or the Painted Grey Ware culture (1200-600 BCE), with finds in a wide area, including the area of Mathura. [12]
Triangular Saint-Porchaire ware salt. 17.5 cm high Life-size majolica peacock by Mintons, c. 1876. In 2010, an example sold for £110,000 [ 17 ] Despite the most highly valued types of pottery often switching to stoneware and porcelain as these were developed by a particular culture, there are many artistically important types of earthenware.
The Painted Grey Ware (PWG) culture is an Iron Age culture of the western Gangetic plain and the Ghaggar-Hakra valley, lasting from roughly 1200 BCE to 600 BCE, [51] [52] [53] which probably corresponds to the middle and late Vedic period, i.e., the Kuru-Panchala kingdom, the first large state in South Asia after the decline of the Indus Valley ...
The most distinctive pottery of this period is known as "Gray Burnished ware" or sometimes as "Esdraelon ware" or Proto-Urban C pottery. This ware is known for its generally gray color, highly burnished finish, and a limited and distinctive range of morphological types, almost invariably bowls.
Cemetery H, Late Harappan, OCP, Copper Hoard and Painted Grey ware sites. The term copper hoards refers to different assemblages of copper-based artefacts in the northern areas of the Indian Subcontinent that are believed to date from the 2nd millennium BC.
The pottery produced catalogues of goods in 1783, 1785, 1786, 1794, and 1814; [4] the pattern is somewhat indicative of the development of the business. There are other documents, and pattern books illustrating decoration, in the Leeds City Art Gallery and the Victoria & Albert Museum in London. [5] By 1790 the company employed 150 people.