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"Bring a Torch, Jeanette, Isabella" ("French: Un flambeau, Jeannette, Isabelle") is a Christmas carol which originated from the Provence region of France in the 17th century. The carol was first published in France, and was subsequently translated into English in the 18th century.
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
Worship 2 (2016) commonly called "The Orange Book", contains 133 new pieces consisting of congregational and individual music; hymns, songs, anthems, meditations; all intended for supplementing existing personal and congregational music. Music is presented as piano/vocal scores and choral arrangements to suit different uses and occasions.
Slightly more lines of the music have survived than in the first hymn, but there are also numerous gaps where the stone has been broken. The style and subject matter of the second hymn is similar to the first, but the musical notation is different. In this hymn the notes are written with the symbols used by instrumental players (see below).
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Hymns of the 49th Parallel is the ninth studio album by the Canadian singer and songwriter k.d. lang, released in 2004. It is an album of songs by lang's favourite Canadian songwriters, and also includes a new version of her original composition "Simple" that initially appeared on her 2000 album Invincible Summer .
In all, she has composed more than 400 cantatas, masses, solo and choral arrangements of spirituals, anthems, art songs, gospel songs, rock operas, soul and pop songs, works for piano and orchestra, and electronic music arrangements, including Free at Last: A Portrait Of Martin Luther King Jr. and Gwendolyn Brooks: A Musical Portrait.
Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. [2] Examples of a collection are Billie Holiday's 1955 album Music for Torching and Entre eux deux by Melody Gardot and Philippe Powell.