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"Bring a Torch, Jeanette, Isabella" ("French: Un flambeau, Jeannette, Isabelle") is a Christmas carol which originated from the Provence region of France in the 17th century. The carol was first published in France, and was subsequently translated into English in the 18th century.
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
Worship 2 (2016) commonly called "The Orange Book", contains 133 new pieces consisting of congregational and individual music; hymns, songs, anthems, meditations; all intended for supplementing existing personal and congregational music. Music is presented as piano/vocal scores and choral arrangements to suit different uses and occasions.
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This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
In all, she has composed more than 400 cantatas, masses, solo and choral arrangements of spirituals, anthems, art songs, gospel songs, rock operas, soul and pop songs, works for piano and orchestra, and electronic music arrangements, including Free at Last: A Portrait Of Martin Luther King Jr. and Gwendolyn Brooks: A Musical Portrait.
Bring a Torch is frequently notated in 3/4 time. So that statement is removed. So that statement is removed. Also, there is nothing in any version of the lyrics in the article (or any other French or English version that I have found) that says that anyone is a milkmaid, or that the song is sung from the point of view of Jeanette (and Isabella ...
Torch-singing is more of a niche than a genre and can stray from the traditional jazz-influenced style of singing; the American tradition of the torch song typically relies upon the melodic structure of the blues. [2] Examples of a collection are Billie Holiday's 1955 album Music for Torching and Entre eux deux by Melody Gardot and Philippe Powell.