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French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language between the 10th and 13th centuries, and the Trouvère poet-composers flourished in Northern France during this period.
L'église Saint-Louis. Charpentier composed the Messe de minuit pour Noël c. 1694 for the Jesuit church of the Église Saint-Louis in Paris where he was music director. He upheld a longstanding tradition for this mass to be celebrated around midnight as the first of three on Christmas Day: to base the music on melodies of French noëls (Christmas carols).
Pastorales de Noël (Christmas Pastoral) is a trio composition for flute, bassoon and harp written by André Jolivet in 1943. [1] It is cast in four movements and lasts about 12 minutes. [2] It has been described as an "unusual and very lovely Christmas piece". [3]
During the Ars Nova era of the thirteenth and fourteenth centuries, the trend towards writing polyphonic music extended to non-Church music. In the fifteenth century, more secular music emerged, such as the French chanson. In the late sixteenth-century, composers attempted to recreate Greek drama using a style called monody.
"Ding Dong Merrily on High" is a Christmas carol. The tune first appeared as a secular dance tune known under the title "Branle de l'Official" [1] [2] in Orchésographie, a dance book written by the French cleric, composer and writer Thoinot Arbeau, pen name of Jehan Tabourot (1519–1593).
Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noël) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands.
The French organ school formed in the first half of the 17th century. It progressed from the strict polyphonic music of Jean Titelouze (c. 1563–1633) to a unique, richly ornamented style with its own characteristic forms that made full use of the French classical organ .
Late in life he apostatized and adopted views as a non-Christian and freethinker that were at odds with his fame as the author of a Christmas text. Cappeau opposed slavery and inequality in all forms and was sympathetic to socialism. [1] He died on 8 August 1877 in Roquemaure at the age of 68. He was buried in his family's crypt in Roquemaure ...