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While Delacroix was widely noted for his figure-centric romanticist paintings, he produced a number of expressive landscape works during his later years. [1] Among these works is Sunset, done by Delacroix circa 1850. The drawing depicts a sunset partially blocked by two cloud formations, one directly above the Earth and a second, thicker band ...
A Cloud Study, Sunset Object type: painting. Date: circa 1821. Medium ... Art UK artwork ID: a-cloud-study-sunset-245909 ; Yale Center for British Art artwork ID ...
Sky Above Clouds (1960–1977) is a series of eleven cloudscape paintings by the American modernist painter Georgia O'Keeffe, produced during her late period.The series of paintings is inspired by O'Keeffe's views from her airplane window during her frequent air travel in the 1950s and early 1960s when she flew around the world.
Albany Institute of History and Art, New York West Rock, New Haven: 1849: Oil on canvas: 27 + 1 ⁄ 8 in × 40 + 1 ⁄ 8 in (690 mm × 1,020 mm) New Britain Museum of American Art, Connecticut [4] Mountain Landscape: 1849: Oil on canvas: 34.6 × 48.5 cm: Brauer Museum of Art, Valparaiso, Indiana Above the Clouds at Sunrise: 1849: Oil on canvas ...
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A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
The first impression that the painting creates is of an enormous deep-red sunset over a stormy sea, an indication of an approaching typhoon. [11] This ominous typhoon is further indicated by an approaching dramatized storm cloud, creeping into the visible space from the left, with its rich colors sprawling towards an unstained sky. [12]
The painting's celestial elements include Venus, which was visible in the sky at the time, though the moon’s depiction is not astronomically accurate. The cypress trees in the foreground were exaggerated in scale compared to other works. Van Gogh's letters suggest he viewed them primarily in aesthetic rather than symbolic terms.