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The discography of American rock band The Replacements consists of seven studio albums, four live albums, seven compilation albums, five extended plays, 16 singles, and 10 music videos. Formed in Minneapolis , Minnesota by guitarist and vocalist Paul Westerberg , guitarist Bob Stinson , bass guitarist Tommy Stinson , and drummer Chris Mars in ...
Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...
"Can't Hardly Wait" is a song by American rock band the Replacements from their fifth studio album Pleased to Meet Me. Written shortly after the sessions for Let It Be, the song was attempted for the 1985 Tim album but ultimately went unreleased until Pleased to Meet Me.
The band recorded a four-song demo tape in Mars's basement; [23] Westerberg handed it to Peter Jesperson in May 1980. [24] Jesperson was the manager of Oar Folkjokeopus, a punk rock record store in Minneapolis; [25] he also founded Twin/Tone Records with Paul Stark (a local recording engineer) and Charley Hallman.
Tim is the fourth studio album by American alternative rock band The Replacements.It was released in September 1985 on Sire Records.It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
The artwork is also an homage to the cover art of Elvis Presley’s 1960 soundtrack album G.I. Blues, from the film of the same name. Pleased to Meet Me was released in 1987 by Sire Records and peaked at #131 on the Billboard Music Chart 's Top 200. [ 4 ]
Released as the first single from Don't Tell a Soul, "I'll Be You" became the band's first and only Billboard Hot 100 single, peaking at number 51. [3] The song also reached the top of the Modern Rock Tracks and Album Rock Tracks charts (both of which were based entirely on radio airplay rather than sales).
The Replacements’ first and only LP as a Bob Stinson-less trio was largely tracked with producer Jim Dickinson at Memphis’ Ardent Studios, where heroes Alex Chilton and Big Star had recorded ...