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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
João Gilberto (born João Gilberto do Prado Pereira de Oliveira – Portuguese: [ʒuˈɐ̃w ʒiwˈbɛʁtu]; 10 June 1931 – 6 July 2019) was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s.
Considered as one of the great exponents of Brazilian music, Jobim merged samba with cool jazz in the 1960s to create bossa nova, with worldwide success. As a result, he is regarded as one of the fathers of bossa nova, and as one of the most-celebrated songwriters of the 20th century. [1]
In Bossa Nova: The Story of the Brazilian Music That Seduced the World, author Ruy Castro suggests that the song was part of a failed movement to invent a bossa nova dance. "Jobim, who had never danced in his life, had just finished writing 'Só danço samba' [Jazz 'n' Samba] with Vinicius, but it was without much conviction.
The Hi-Lo's were a vocal quartet formed in 1953, who achieved their greatest fame in the late 1950s and 1960s. The group's name is a reference to both their extreme vocal and physical ranges (Bob Strasen and Bob Morse were tall; Gene Puerling and Clark Burroughs were short).
Particularly in the United States, the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late 1950s. "Manhã de Carnaval" has become a jazz standard in the U.S., while it is still performed regularly by a wide variety of musicians around the world in its vocalized ...
"Vivo Sonhando" (a.k.a. "Dreamer", translated literally as "I Live Dreaming") is a bossa nova song from 1962 with words and music by Antônio Carlos Jobim. [1] English lyrics were added later by Gene Lees.
Getz/Gilberto was widely acclaimed by music critics, who praised Gilberto's vocals and the album's bossa nova groove and minimalism. Getz/Gilberto received Grammy Awards for Best Jazz Instrumental Album, Individual or Group and Best Engineered Recording - Non-Classical ; it also became the first non-American album to win Album of the Year , in ...