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The few women who survived included La Malinche the interpreter, Doña Luisa, and María Estrada. [2]: 302, 305–06 The event was named La Noche Triste ("The Night of Sorrows") on account of the sorrow that Cortés and his surviving followers felt and expressed at the loss of life and treasure incurred in the escape from Tenochtitlan.
When Cortés and his men, including those who had come under Narváez, returned, the Aztecs began full-scale hostilities against the Spaniards. The Spaniards had no choice but to retreat from the city, which they did on what is called the Sad Night ( La Noche Triste ), losing most of their men, who were either killed in the battle or were ...
La Noche Triste – The Sad Night. The flight of the Spanish from Tenochtitlan was a crushing setback for Cortés, and his army came just short of annihilation. It is still remembered as "La Noche Triste," The Night of Sorrows. Popular tales say Cortés wept under a tree the night of the massacre of his troops at the hands of the Aztecs.
Cortés realized that the defeat was imminent and decided to escape yet, the Aztecs attacked. The Massacre is most known as La Noche Triste (the sorrowful night) about "400 Spaniards, 4000 native allies and many horses [were killed] before reaching the mainland". [11] Moctezuma was killed, although the sources do not agree on who killed him. [12]
The result of the battle was a victory for the Spanish, which allowed Cortés to reorganize his army, having suffered casualties a few days before in the episode known as La Noche Triste. A year later, by reinforcing his army with new men and supplies, and creating alliances with the indigenous peoples who had been subjugated by the Aztec ...
Enduring questions remained after "La Noche Triste" (the Sad Night) that have taken the Mexican government over 30 years to answer. Eventually in 2001, President Vicente Fox, the president who ended the 70-year reign of the PRI, attempted to resolve the question of who had orchestrated the massacre.
"La Llorona" (lit. "The weeping woman") is a Mexican folk song derived from the legend of La Llorona.There are many versions of the song. Its origins are obscure, but, around 1941, composer Andres Henestrosa mentioned hearing the song in the Isthmus of Tehuantepec.
José María Tranquilino Francisco de Jesús Velasco Gómez Obregón, generally known as José María Velasco, (Temascalcingo, 6 July 1840 – Estado de México, 26 August 1912) was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings.