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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
Riyazi (c. 1572 or 1573 –1644), also known as Riyazî Mehmet Efendi was an Ottoman poet and bibliographer. His Riyazü'ş Şuara tezkire (bibliographical dictionary of poets and poetry), is the seventh of its kind in Ottoman history and is of great importance. Riyazi is considered the last of a group of bibliographers who tried to cover the ...
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Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
Early Ottoman prose, before the 19th century CE, never developed to the extent that the contemporary Divan poetry did. A large part of the reason for this was that much prose of the time was expected to adhere to the rules of seci, or rhymed prose, a type of writing descended from Arabic literature and which prescribed that between each adjective and noun in a sentence, there must be a rhyme.
A large portion of the text is dedicated to conveying a world history, with the last and most important chapter (entitled the Tevârîh-i Mülûk-i âl-i ʿOsmân / Dastan ve Tevarihi Ali Osman / Dastan; "History of the Rulers of the House of Osman and Their Campaigns Against the Infidels") on the subject of the history of the Ottoman dynasty from Ertuğrul (father of the Osman I, founder of ...