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Roughly triangular in shape, Tuscany borders the regions of Liguria to the northwest, Emilia-Romagna to the north, Marche and Umbria to the east, and Lazio to the south and southeast. The comune (municipality) of Badia Tedalda , in the Tuscan Province of Arezzo , has an exclave named Ca' Raffaello within Emilia-Romagna.
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At the time of its establishment it bordered to the west with the Tyrrhenian Sea and for the rest with the Byzantine territories of the Exarchate of Ravenna.Initially the province of Viterbo (northern Lazio) was also part of the Duchy, and was known in that period as "Roman Tuscia", being a border zone between the Lombard Tuscia and the Byzantine Duchy of Rome.
The Gallery of Maps [1] (Italian: Galleria delle carte geografiche) is a gallery located on the west side of the Belvedere Courtyard in the Vatican containing a series of painted topographical maps of Italy based on drawings by friar and geographer Ignazio Danti.
Provinces of Italy (grey borders), within Regions (solid borders) The provinces of Italy (Italian: province [proˈvintʃe]; sing. provincia [proˈvintʃa] ⓘ) are the second-level administrative divisions of the Italian Republic, on an intermediate level between a municipality and a region (regione).
The Tuscan Archipelago is a chain of islands between the Ligurian Sea and Tyrrhenian Sea, west of Tuscany, Italy. The islands' proximity to several major cities has made them a favourite tourist location. History and literature have ensured that most people are familiar with the islands of Elba and Montecristo.
They border to the north with the Chianti Senese area, to the east with Val di Chiana and to the south-west with Val d'Orcia. [1] Nearby is also the semi-arid area known as the Accona Desert . Crete Senesi are literally the " clays of Siena ": the distinctive grey colouration of the soil gives the landscape an appearance often described as lunar.
The Macchiaioli (Italian pronunciation: [makkjaˈjɔːli]) were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour.