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Alabama Great Southern Railroad: New Orleans and Northwestern Railway: MP: 1884 1902 Natchez and Southern Railway: New Orleans, St. Louis and Chicago Railroad: IC: 1874 1877 Central Mississippi Railroad, New Orleans, Jackson and Northern Railroad: North East and South West Alabama Railroad: SOU: 1854 1868 Alabama and Chattanooga Railroad
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
The Mobile, Jackson and Kansas City Railroad Company (MJ&KC) was established in 1890 in Mobile, Alabama. By 1898 the line reached the Pascagoula River at Merrill, Mississippi . The railroad had 50 miles of trackage in 1900 and reached Hattiesburg, Mississippi , via the Bonhomie & Hattiesburg Southern Railroad in 1902.
In the 1920s, folklorists, notably Dorothy Scarborough (1925) and Guy Johnson and Howard W. Odum (1926), also collected transcribed versions. Scarborough's short text, published in her book, On The Trail of Negro Folk-Songs (1925), is the first version published under the title "Nine-Pound Hammer", before the earliest commercial recording of that name. [7]
"Yellow Dog Blues" (1912), "Your easy rider's gone where the Southern cross the Yellow Dog." The reference is to the crossing at Moorhead, Mississippi, of the Southern Railway and the local Yazoo and Mississippi Valley Railroad, called the Yellow Dog. By Handy's telling locals assigned the words "Yellow Dog" to the letters Y.D. (for Yazoo Delta ...
"I Wonder Where My Easy Rider's Gone?" is a ragtime/blues song written by Shelton Brooks in 1913. Sometimes categorized as hokum, [1] it led to an answer song written in 1915 by W.C. Handy, "Yellow Dog Rag", later titled "Yellow Dog Blues". Lines and melody from both songs show up in the 1920s and 1930s in such songs as "E. Z. Rider", "See See ...
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The song generally follows a seven-bar or an eight-bar blues arrangement and has been compared to "Sitting on Top of the World". [10] McDowell uses lyrics closer to Davis' 1962 rendition, [10] but adds a haunting slide guitar line that doubles the vocal. [11] A verse from the song is inscribed on his headstone: [12]