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The Consolations, S. 171a/172 (German: Tröstungen) are a set of six solo piano works by Franz Liszt.The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2]
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Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach. Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding.
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Bory, Robert: Diverses lettres inédites de Liszt, in: Schweizerisches Jahrbuch für Musikwissenschaft 3 (1928). Bory, Robert: Une retraite romantique en Suisse, Liszt et la Comtesse d'Agoult , Lausanne 1930.
In 1834, Franz Liszt wrote his Grosses Konzertstück über Mendelssohns Lieder ohne Worte (Grand Concert Piece on Mendelssohn's Songs Without Words) for 2 pianos. This was based on songs 1–3 of Book I, Op. 19b. [13] Liszt and a student, Mlle. Vial, started to play it in Paris on 9 April 1835 [14] but Liszt became ill during the performance.
Liszt, Concert Studies, S144 and S145; Consolations S172 [all cycles complete, 11 pieces altogether]; Reminiscences de Don Juan, S418. DECCA 417 523-2 CD. [Recorded in Kingsway Hall, London, 12/1978; except for the Consolations: recorded in St Barnabas' Church, London, 3/1985.]
Liszt was deeply affected by the deaths of friends and loved ones throughout his life; these losses, in turn, had a profound impact on the types of works Liszt would write. Like the sacred music, Liszt's works of premonition, death and mourning came from a deep inner impulse and he usually did not seek their publication.