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Sony TC-50 cassette tape recorder on display at the Houston Space Center NASA furnished every astronaut with a Sony TC-50 from Apollo 7 in 1968 onward. [ 1 ] Procured to facilitate the recording of personal mission logs, negating the need for additional paper work, the TC-50 was also used by astronauts to play their favorite mixtapes in the ...
NT cassette compared to various memory cards. The system was an R-DAT based system which stored memos using helical scan on special microcassettes, which were 30 mm × 21.5 mm × 5 mm with a tape width of 2.5 mm, with a recording capacity of up to 120 minutes similar to Digital Audio Tape.
A reel-to-reel tape recorder (Sony TC-630), typical of a 1970s audiophile device. Reel-to-reel audio tape recording, also called open-reel recording, is magnetic tape audio recording in which the recording tape is spooled between reels. To prepare for use, the supply reel (or feed reel) containing the tape is placed on a spindle or hub.
On Sony's machines, this automatically selects 70 μs equalisation. The service manual for the Sony TC-135SD, which was one of the few cassette decks offering a 'Fe-Cr' position, shows the tape type selector switch paralleling the ferrichrome equalisation selection with that of chrome dioxide (70 μs). [75]
DASH recorders (as well as any other type of digital recorder using magnetic tape) require the use of metal-particle formulation magnetic tape. Some examples of metal particle tape compatible with DASH machines are 3M Scotch 275, Ampex / Quantegy 467, EMTEC 931, and Sony's own tape formulation. These tape formulations are not directly ...
LP is model specific, such as the TRV-30, TRV-40, and others. Digital8 recordings can be made on standard-grade Video8 cassettes, but this practice is discouraged in the Sony user manuals, and Hi8 metal-particle cassettes are the recommended type for Digital8 recording. Most Hi8 tapes sold after the introduction of D8 are marked for both Hi8 ...