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The Six Arts were practiced by scholars and existed before Confucius, but became a part of Confucian philosophy. As such, Xu Gan (170–217 CE) discusses them in the Balanced Discourses. [citation needed] The Six Arts were practiced by the 72 disciples of Confucius. [2] The Six Arts concept developed during the pre-imperial period. It ...
The "Six principles of Chinese painting" were established by Xie He, a writer, art historian and critic in 5th century China, in "Six points to consider when judging a painting" (繪畫六法, Pinyin: Huìhuà Liùfǎ), taken from the preface to his book "The Record of the Classification of Old Painters" (古畫品錄; Pinyin: Gǔhuà Pǐnlù ...
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices.
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Calligraphy was the means by which scholars could mark their thoughts and teachings for immortality, and as such, represent some of the more precious treasures that can be found from ancient China. The most valued of all art treasures in China have been examples of the writing of certain aristocrats from the fourth century CE, including casual ...
In ancient China, painting and calligraphy were the most highly appreciated arts in court circles and were produced almost exclusively by amateurs, aristocrats and scholar-officials who alone had the leisure to perfect the technique and sensibility necessary for great brushwork. Calligraphy was thought to be the highest and purest form of painting.
Located in north-central China, the ancient city of Xi’an has long been famous for its 2,000-year-old Terracotta Army, an attraction that draws travelers from all over the globe.
In particular, archery featured prominently in ancient Chinese culture and philosophy: archery was one of the Six Noble Arts of the Zhou dynasty (1146–256 BCE); archery skill was a virtue for Chinese emperors; Confucius himself was an archery teacher; and Lie Zi (a Daoist philosopher) was an avid archer.