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The Banshee (1925) is a piano composition by American composer Henry Cowell (1897–1965). It was the first piano piece ever written to be performed entirely free of the keyboard, using only manual manipulation of the strings within the instrument to produce sound via the flesh and nails of the finger .
Piece for Piano with Strings (1923; for solo string piano, despite possibly confusing title) Aeolian Harp for string piano (ca. 1923) A Rudhyar (1924) The Harp of Life (1924) The Snows of Fuji-Yama (1924) The Banshee for string piano (1925) Slow Jig (1925) The Leprechaun (1928) Two Woofs (1928) Euphoria (1929) Fairy Answer (1929) Two Pieces (1930)
Henry Dixon Cowell (/ ˈ k aʊ əl /; March 11, 1897 – December 10, 1965) was an American composer, writer, pianist, publisher, teacher [1] [2] [3] and the husband of Sidney Robertson Cowell.
On his 1968 album Blues Roots, Dave Brubeck prepared a piano by laying copper strips across the strings to give the song "Blues Roots" a honky-tonk sound. [ 12 ] Denman Maroney performs on what he has dubbed 'hyperpiano', which "involves stopping, sliding, bowing, plucking, striking and strumming the strings with copper bars, aluminum bowls ...
Cover of Henry Cowell: Piano Music, recorded in 1963, with Cowell demonstrating the longitudinal sweeping technique. String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys.
Steven John Bailey (born 25 September 1955) known professionally as Steven Severin, is an English songwriter, composer, multi-instrumentalist and producer.He is best known as the bassist of the rock band Siouxsie and the Banshees which he co-founded in 1976. [2]
During the first two decades of his compositional career, Cowell continued often to reference Irish mythology in the titles of his piano pieces. The Harp of Life (1924), Cowell said, "is another in the suite based on the early Irish mythological opera," as, he explained, were The Voice of Lir (1920) and The Trumpet of Angus Óg (1918–24). [ 4 ]
The first unambiguous evidence for the piano comes from the 1700 inventory of the Medici mentioned in the preceding section. The entry in this inventory for Cristofori's piano begins as follows: Un Arpicembalo di Bartolomeo Cristofori di nuova inventione, che fa' il piano, e il forte , a due registri principali unisoni, con fondo di cipresso ...