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The man born David Jones adopted the stage name David Bowie in 1966, avoiding confusion with The Monkees’ Davy Jones. But then he just kept on adding more aliases to his roster of identities ...
Bowie released three more albums – David Bowie (1969), The Man Who Sold the World (1970), and Hunky Dory (1971) – before he eventually entered the UK Albums Chart with The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972), which peaked at number five.
Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records.Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke.
Blackstar (stylised as ★) [1] is the twenty-sixth and final studio album by the English musician David Bowie.Released on 8 January 2016, Bowie's 69th birthday, the album was recorded in secret in New York City with his longtime co-producer Tony Visconti and a group of local jazz musicians: Donny McCaslin, Jason Lindner, Tim Lefebvre and Mark Guiliana.
Low (David Bowie album) Lust for Life (Iggy Pop album) N. Never Let Me Down; A New Career in a New Town (1977–1982) The Next Day; No Plan (EP) O. Outside (David ...
Earthling (stylised as EART HL I NG) is the twenty-first studio album by the English musician David Bowie, released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Mostly self-produced by Bowie, it was primarily recorded from August to October 1996 ...
Bowie co-produced and co-wrote Pop's solo albums The Idiot, Lust for Life (both 1977) and Blah-Blah-Blah (1986), while Pop later collaborated with Bowie for 1984's Tonight. [78] The Who guitarist Pete Townshend (pictured in 2008) contributed a guest appearance on the Scary Monsters track "Because You're Young" (1980) [ 79 ] and the Heathen ...
Young Americans is the ninth studio album by the English musician David Bowie, released on 7 March 1975 through RCA Records. A departure from the glam rock style of previous albums, the record showcased Bowie's interest in soul and R&B. Music critics have described the sound as blue-eyed soul; Bowie himself labelled the album's sound "plastic ...