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Kelli Brianne Garner [1] (born April 11, 1984) [2] is an American actress who has appeared in a variety of independent and mainstream films, television, and theater.. A native of Southern California, Garner made her feature film debut at age 17 in Larry Clark's thriller Bully (2001), followed by a supporting role as Faith Domergue in Martin Scorsese's The Aviator (2004).
The video opens with two girls and a guy in a truck, the guy asking the two if they remember a guy named Shagg. Pharrell and Chad ride around with a bike gang interspersed with scenes of a young man (Brad Renfro) struggling to make ends meet and his pregnant girlfriend (Kelli Garner). She suggests he apply to the military, which he angrily ...
The site's critical consensus reads, "Offering few revelations, The Secret Life of Marilyn Monroe treads the same well-worn path as many other Monroe biopics, despite an admirable performance by Kelli Garner". [5] On Metacritic, the series has a score of 55 out of 100 based on 12 critics, indicating "mixed or average". [6]
The show stars Christina Ricci, Margot Robbie, Karine Vanasse, and Kelli Garner as the crew's stewardesses; and Michael Mosley and Mike Vogel as the pilots. Pan Am premiered on ABC on September 25, 2011, and ended on February 19, 2012. [7] ABC canceled the series on May 11, 2012.
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Thumbsucker is a 2005 American independent comedy-drama film written and directed by Mike Mills in his feature directorial debut. The film stars Lou Taylor Pucci, Tilda Swinton, Vincent D'Onofrio, Kelli Garner, Benjamin Bratt, Vince Vaughn, and Keanu Reeves.
Bully is a 2001 crime drama [4] film directed by Larry Clark, and starring Brad Renfro, Bijou Phillips, Rachel Miner, Michael Pitt, Leo Fitzpatrick, Daniel Franzese, Kelli Garner, and Nick Stahl. Its plot follows a group of teenagers in South Florida who enact a murder plot against their mutual bully who has emotionally, physically, and ...
On Rotten Tomatoes, the film has a 14% approval rating, based on 36 reviews, with an average rating of 3.7 out of 10.The website's consensus reads, "Hampered by pretension and undermined by unlikable characters, London proves that the novelty of seeing actors play against type isn't enough to rescue a deeply flawed film."