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Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
The TASCAM 85 16B analog tape recorder can record 16 tracks of audio on 1-inch (2.54cm) tape. ... 1985 World's first eight-track 1/4" multitrack and mixer combination ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity).
Audio data was stored in the DTRS (Digital Tape Recording System) format on Hi8 video cassettes, allowing up to 108 minutes of continuous recording on a single tape. [3] [4] In 1995, the TASCAM DA-88 won the Emmy award for technical excellence. [5] The affordability and digital format of the DA-88 led to sales of more than 60,000 units by 1999.
The main focus of the new company was to design and manufacture tape recorders. [3] In 1969 TEAC produced the first consumer four-track reel-to-reel tape recorders capable of playing pre-recorded Quadraphonic open reel tapes (Q4). This was the first format to play high quality four-channel quadraphonic recordings in the home. In order to keep ...