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In his poem, "The Charge of the Light Brigade" (1854), Tennyson dubbed this hollow "The Valley of Death". The opposing Russian forces were commanded by Pavel Liprandi . According to an estimate by Nicholas Woods , correspondent of The Morning Post , the forces at his disposal amounted to 25,000 infantry and 4,000 cavalry, supported by 30 or 40 ...
"The Charge of the Light Brigade" is an 1854 narrative poem by Alfred, Lord Tennyson about the Charge of the Light Brigade at the Battle of Balaclava during the Crimean War. He wrote the original version on 2 December 1854, and it was published on 9 December 1854 in The Examiner .
Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [ 3 ] Favourable reviews appeared by Sir John Bowring in the Westminster , by Leigh Hunt in the Tatler , and by Arthur Hallam in the Englishman's Magazine .
Tennyson discusses consciousness and personality in "St. Simeon Stylites". The humour within the poem is not a primary focus in a similar way as Will Waterproof's Lyrical Monologue. Although the poem is very different from the works before 1842, it has some relationship with The Two Voices. The humour and irony is the result of St Simeon trying ...
Tennyson's 1832 collection of poems was savaged by John Wilson Croker in a Quarterly Review article of April 1833. The review was based on a close reading of the various poems followed by attacks on the content. Of the various poems attacked, "Oenone" was the truest hit, as Croker focused on how the poem was filled with unclear descriptions. [12]