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The wooden sword is no longer an effective weapon since the attacker's balance has been compromised. Kuzushi (崩し:くずし) is a Japanese term for unbalancing an opponent in the Japanese martial arts. The noun comes from the transitive verb kuzusu (崩す), meaning to level, pull down, destroy or demolish. [1]
The flying claw, flying talon, or soft talon (Chinese: 飛爪; pinyin: fēizhuǎ / fēizhǎo) is used to ensnare a foe and throw him off balance. It originated in China during the Sui dynasty and is one of the flexible or soft weapons in the Chinese martial arts.
Uke continuously seeks to regain balance and cover vulnerabilities (e.g., an exposed side), while tori uses position and timing to keep uke off-balance and vulnerable. In more advanced training, uke may apply reversal techniques (返し技, kaeshi-waza) to regain balance and pin or throw tori. Ukemi (受身) refers to the act of receiving a ...
He did not throw to first at all in 2014, and struggled to make accurate throws early in 2015. For the rest of his career, when required to field a hit ball, Lester would run most of the way to 1st base and underhand throw the ball and on longer throws would spike it into the turf to reduce the chances of throwing it past the bag.
Defenestration (from Neo-Latin de fenestrā [1]) is the act of throwing someone or something out of a window. [2] The term was coined around the time of an incident in Prague Castle in the year 1618 which became the spark that started the Thirty Years' War .
Originally throw up the sponge or chuck up the sponge; OED cites "from the practice of throwing up the sponge used to cleanse the combatants' faces, at a prize~fight, as a signal that the ‘mill’ is concluded." (1860) [87] The phrase throw in the towel in a non-boxing sense first dates to 1916 in a book by C. J. Dennis. [87]
An extra unstressed syllable on the word "dizzy" is the first instance in which the rhythm has been disrupted in a hypermetric line, throwing it off balance, like the boy during the waltz. This same effect happens with the words "slid from" when the pans slide from the kitchen shelf in the second stanza.
The Gish gallop is a rhetorical technique in which a person in a debate attempts to overwhelm an opponent by presenting an excessive number of arguments, with no regard for their accuracy or strength, with a rapidity that makes it impossible for the opponent to address them in the time available.