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USB & MIDI: 2014: Alesis Vortex Wireless: controller: USB & MIDI: first keytar with wireless USB connection to a PC or laptop 2014: Korg RK-100S: synthesizer: USB & MIDI: used by Rick Astley in 2016 2017: Yamaha Vocaloid Keyboard: synthesizer: USB, [19] Bluetooth LE [20] To be released in "Winter 2017". [21] First wearable prototype in 2014 ...
As of 2013, the Roland AX-Synth, the Roland Lucina, the Alesis Vortex and Rock Band 3 Wireless Pro Keyboard, are the mass-manufactured keytars on the market. Starr Labs manufacturers a variation on the keytar (called a Ztar) that plays to the strengths of guitarists, featuring a neck of piano-styled keys arranged on the fretboard instead of ...
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.
Alesis is known for budget equipment but has produced high-end and innovative gear such as the Alesis Fusion music production workstation, the Alesis Andromeda A6 analog synthesizer, the Ion virtual analog modeling synthesizer or the Ion-based Micron. Alesis developed equipment for recording studios during the 1990s.
A Roland keytar, keyboard MIDI controller designed to be worn with a shoulder strap during performance.The keytar does not produce any musical sounds by itself. As a MIDI controller, it only sends data about which keys or buttons are pressed to a MIDI-compatible sound module or synthesizer, which then produces the sounds.
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The Casio AZ-1 is a polyphonic MIDI keyboard in the form factor of a keytar.It has a distinctive white body with a long neck, with detailing in a pale blue. This instrument is designed to be played, with the aid of a shoulder strap, in an approximation of an electric guitar.
In the Quadrasynth's composite synthesis system, up to four "tones" are used to create a single "patch" or synthesizer sound. These individual "tones" are created by using 16-bit digital single-cycle waveforms or digital samples as oscillator sources, and are then processed via a digital non-resonant filter, various LFOs and envelope generators, and so on - in the usual manner.