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"Loud" was written by Mac Miller, Eric Dan, Jeremy Kulousek, and Zachary Vaughan, and produced by Big Jerm and Sayez at ID Labs. [1] [2] The song was released digitally by Rostrum Records on March 2, 2012, as the lead single from Miller's mixtape Macadelic (2012).
Whether your kid is asking if they can "buy more Robux" or begging you to check out their avatar's latest outfit, there's one thing most parents of kids who play Roblox have in common: We don't ...
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.
Jason Lipshutz of Billboard wrote, "'Golden Hour' has a winning formula: semi-rapped verses full of romantic observations and modern music references, boiling into an enormous, crooned-from-the-gut chorus. Jvke, to his credit, nails the push-pull at the heart of the song—nimble enough to sound nonchalant during the lead-up, then giving his ...
The original song was released as the album's third single; Ja Rule of Murder Inc. Records wrote and was featured on a newly-written song with completely different lyrics and production titled "I'm Real (Murder Remix)", which was featured on a re-issue of J.Lo in July 2001, on Lopez's remix album, J to tha L–O!
"Ain't It Funny (Murder Remix)" is a song by American singer Jennifer Lopez for her remix album J to tha L–O! The Remixes (2002). The song was marketed as a remix of "Ain't It Funny", but is actually an entirely different song with the same title. [1] It features guest vocals from Ja Rule (Jeffrey Atkins) and Caddillac Tah (Tiheem Crocker).
The practice of focusing on loudness in audio mastering can be traced back to the introduction of the compact disc, [3] but also existed to some extent when the vinyl phonograph record was the primary released recording medium and when 7-inch singles were played on jukebox machines in clubs and bars.
Mario Tarradell from The Dallas Morning News complimented the Latin flavor in the song, writing "Jennifer Lopez wastes no time asserting her Latina heritage: "Let's Get Loud," a cut from the actress—turned—singer's debut album, On the 6, opens with a sassy declaration – '¡Ya Jenny llego, presente!'" [11] Heather Phares from AllMusic, on ...