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The Anglican Communion accepts the Protestant Apocrypha "for instruction in life and manners, but not for the establishment of doctrine (Article VI in the Thirty-Nine Articles)", [37] and many "lectionary readings in The Book of Common Prayer are taken from the Apocrypha", with these lessons being "read in the same ways as those from the Old ...
The Anglican Communion accepts "the Apocrypha for instruction in life and manners, but not for the establishment of doctrine (Article VI in the Thirty-Nine Articles)", [13] and many "lectionary readings in The Book of Common Prayer are taken from the Apocrypha", with these lessons being "read in the same ways as those from the Old Testament". [14]
The Shakespeare apocrypha is a group of plays and poems that have sometimes been attributed to William Shakespeare, but whose attribution is questionable for various reasons. The issue is not to be confused with the debate on Shakespearean authorship , which questions the authorship of the works traditionally attributed to Shakespeare.
The word apocrypha means 'things put away' or 'things hidden', originating from the Medieval Latin adjective apocryphus, 'secret' or 'non-canonical', which in turn originated from the Greek adjective ἀπόκρυφος (apokryphos), 'obscure', from the verb ἀποκρύπτειν (apokryptein), 'to hide away'. [4]
In the present-day, "English Bibles with the Apocrypha are becoming more popular again", usually being printed as intertestamental books. [1] The Revised Common Lectionary , in use by most mainline Protestants including Methodists and Moravians, lists readings from the Apocrypha in the liturgical calendar , although alternate Old Testament ...
The Jewish apocrypha (Hebrew: הספרים החיצוניים, romanized: HaSefarim haChitzoniyim, lit. 'the outer books') are religious texts written in large part by Jews , especially during the Second Temple period , not accepted as sacred manuscripts when the Hebrew Bible was canonized .
The Apocryphon of John, also called the Secret Book of John or the Secret Revelation of John, is a 2nd-century Sethian Gnostic Christian pseudepigraphical text attributed to John the Apostle.
Modern critics accept that the poems were addressed to a young man, and they view the language of class in the sequence from 56–59 in terms of a complex dynamic of class difference and desire. The speaker's metaphoric description of love as enslavement is complicated and enriched by the fact that here, the speaker is literally as well as ...