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Mark Louis Hallett (born 11 March 1965) is an English art historian specialising in the history of British art. He is the Märit Rausing Director of the Courtauld Institute of Art. He is the Märit Rausing Director of the Courtauld Institute of Art.
1982, Interdisciplinary publications reflecting George L. Stout's concept of the “three-legged stool,” co-authored by conservators, art historians, and scientists appear and increase in number: Art and Autoradiography (Metropolitan Museum, 1982); Examining Velasquez (Gridley McKim-Smith, Greta Andersen-Bergdoll, and Richard Newman, 1988).
Museum of Contemporary Art, Los Angeles No. 61 (Rust and Blue) is a 1953 painting by the Russian-American Abstract expressionist artist Mark Rothko . The work was first exhibited at the Museum of Modern Art , New York in 1961 [ 1 ] but is now in the collection of the Museum of Contemporary Art, Los Angeles . [ 2 ]
The Moravian Pottery & Tile Works (MPTW) is a history museum which is located in Doylestown, Pennsylvania.It is owned by the County of Bucks, and operated by TileWorks of Bucks County, a 501c3 non-profit organization.
Inspired by ancient Greek and Roman art, the classical history paintings of the French artist Nicolas Poussin (1594–1665) and the ideas of the German writer Anton Raphael Mengs (1728–1779) and the German archaeologist and art historian Johann Joachim Winckelmann (1717–1768), Neoclassicism began in Rome, but soon spread throughout Europe.
Mark Maggiori (born June 16, 1977) is a French-American painter, graphic designer, draftsman, musician, music video director and lead vocalist of the nu metal band Pleymo. He is noted for paintings of American cowboys , Native Americans and the American Southwest .
Mark Amerika (born 1960, Miami, Florida) is an American visual artist, theorist, novelist and professor of Art and Art History at the University of Colorado. He is a graduate of the Literary Arts program at Brown University, where he received his MFA in creative writing in 1997. Amerika's work has been exhibited internationally.
Interweaving the diverse disciplines of art, science, ecology, history, and archeology, Dion's project consists of three parts, corresponding to the three major periods of Everglades history: exploration (late 1700s – mid 1800s); exploitation (mid-1800s – early 20th century); and preservation and restoration (mid-20th century – the present).