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Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The Trinity was painted on a vertically aligned board. It depicts three angels sitting at a table. On the table, there is a cup containing the head of a calf. In the background, Rublev painted a house (supposedly Abraham's house), a tree (the Oak of Mamre), and a mountain (Mount Moriah).
The iconography of the Trinity, flanked by Mary and John or including donors, is not uncommon in Italian art of the late 14th and early 15th centuries, and the association of the Trinity with a tomb also has precedents. No precedent for the exact iconography of Masaccio's fresco, combining all these elements, has been discovered, however.
The Trinity by Rublev. Andrei Rublev (Russian: Андрей Рублёв, romanized: Andrey Rublyov, [1] IPA: [ɐnˈdrʲej rʊˈblʲɵf] ⓘ; c. 1360 – c. 1430) [2] [3] was a Russian artist considered to be one of the greatest medieval Russian painters of Orthodox Christian icons and frescoes.
The Trinity is most commonly seen in Christian art with the Spirit represented by a dove, as specified in the Gospel accounts of the Baptism of Christ; he is nearly always shown with wings outspread. However depictions using three human figures appear occasionally in most periods of art. [188]
The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
The Trinity in art; A. Adoration of the Trinity; Altarpiece of the Holy Trinity (Master of the Litoměřice Altarpiece) Annunciation (van Eyck, Washington)
The painting shows God the Father supporting his son, Jesus, with the Holy Spirit above them, represented by a dove; the Trinity is joined by the weeping figures of the Virgin Mary and St. John. [1] The inclusion of God supporting his crucified son within the picture was popular during the late fourteenth and early fifteenth centuries, but is ...