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The Water of Life Discourse between Jesus and the Samaritan Woman at the Well by Angelika Kauffmann, 17th–18th century. The Samaritan woman at the well is a figure from the Gospel of John. John 4:4–42 relates her conversation with Jesus at Jacob's Well near the city of Sychar.
The collection as a whole illustrates, in St. John’s Chapter 4 in the Gospel, the story of Jesus and the Samaritan woman. “One day Jesus was walking to Galilee with His disciples, who continued on into the nearby Samaritan town while Jesus waited for them at Jacob’s Well.
Christ and the Samaritan Woman, Christ and the Woman of Samaria and other variations are titles for artworks depicting the biblical episode of the Samaritan woman at the well. They include the following: Christ and the Samaritan Woman; Christ and the Woman of Samaria (Gentileschi) Christ and the Samaritan Woman
John 4 is the fourth chapter of the Gospel of John in the New Testament of the Christian Bible. The eternality of Jesus. The major part of this chapter (verses 1-42) recalls Jesus' conversation with the Samaritan woman at the well in Sychar. In verses 43-54, he returns to Galilee, where he heals a royal official's son.
Christ and the Samaritan Woman at the Well, s.d. Author: Lavinia Fontana (Italian painter) 1552 - 1614
Jesus asks a Samaritan woman of Sychar for water from Jacob's Well, and after spending two days telling her townsfolk "all things" as the woman expected the Messiah to do, and presumably repeating the Good News that he is the Messiah, many Samaritans become followers of Jesus. He accepts without comment the woman's assertion that she and her ...
The Story of David (1976) Greatest Heroes of the Bible: David & Goliath (1978, TV episode) King David (1985) Dave and the Giant Pickle (1996) David (1997, TNT Bible Series) King George and the Ducky (2000) David and Goliath (2005, Liken Bible Series) David and Goliath (2013) (India) David and Goliath (2015) David and Goliath (2016)
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.