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In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
The Galliambic metre of Catullus's poem 63 (but of which there are no extant examples in Greek) is a development of the anacreontic. The Sotadean metre, named after the poet Sotades (3rd century BC) is another variation of ionic. It was also used occasionally in Latin, for example in two poems in Petronius.
Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms.
It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. [1] In Latin, the iambic trimeter was adapted for the spoken parts of Roman plays, especially Roman comedy.
Poems in hendecasyllables all run on in the same meter, namely spondee (but see below), dactyl, trochee, trochee, spondee. Catullus is rather freer than Martial, in that he will occasionally start a line with a trochee or iambus, as in lines 2 and 4 respectively of the opening poem of his book, whereas Martial keeps to a spondaic opening.
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Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.