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The Broadway Musical How to Succeed in Business Without Really Trying began its run on March 27, 2011, with Daniel Radcliffe as the main protagonist, J. Pierrepont Finch. [2] [3] The musical was performed at the Al Hirschfeld Theatre, in New York City, [4] with a total runtime of two hours and forty minutes, including one intermission. [5]
A “live version” would be the piece of music performed live (usually in front of an audience) and its cut single from the live album charted. It could also be a re-recording of the music being performed “live” and unplugged with audience that can be heard in the song clapping, cheering or chanting.
The album spawned hits including a cover of Hall & Oates' 1980 song "Everytime You Go Away", "I'm Gonna Tear Your Playhouse Down", "Everything Must Change" and "Tomb of Memories". The album has been certified Double Platinum (600,000 copies sold) by the BPI in the UK and Gold (500,000 copies sold) in the US by the RIAA .
The song was also a favorite of younger brother Ted Kennedy and was performed by Brian Stokes Mitchell at his memorial service in 2009. [ 9 ] The song was a favorite of Philippine hero Evelio Javier , the assassinated governor of the province of Antique in the Philippines, and the song has become a symbol of his sacrifice for democracy.
"Formation" is a Houston trap and New Orleans bounce song. [9] [10] The song is written in the key of F minor in common time with a tempo of 123 beats per minute. [11]It has a minimalistic beat containing rubbery synths and a heavy bass line, which transforms into a horn-infused stomp reminiscent of marching bands and military tattoos.
"Reach" is a song by Cuban-American singer and songwriter Gloria Estefan, released in April 1996 by Epic Records. It was co-written by Estefan with Diane Warren and served as the official theme song of the 1996 Summer Olympics held in Atlanta , Georgia in the United States .
"Northwest Passage" is one of the best-known songs by Canadian musician Stan Rogers.The original recording from the 1981 album of the same name is an a cappella song, featuring Rogers alone singing the verses, with Garnet Rogers, David Alan Eadie and Chris Crilly harmonizing with him in the chorus.
According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, the song is written in the key of G major (recorded a half-step lower in F ♯ major). The song moves in common time at a tempo of 120 beats per minute, with Glynne's vocal range spanning from the low-note of C ♯ 3 to the high-note of C ♯ 5 . [ 5 ]