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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
A Celtic button knot is a stopper knot on a single rope that results in a spherical decorative knot with hair braid / basket weave pattern. It is essentially a single strand Turk's Head Knot that is structured such a way that it is effectively tied around the rope itself, creating a stopper.
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
Button knot; Names: Button knot, Stopper knots, As numbered in picture : 1- Fiador, 2- Sailor's diamond (#693), 3- Figure-eight loop, 4- Diamond, 5- knife lanyard, 6- Chinese button, 7- Chinese button doubled, 8- True lover's, 9- Ashley's, 10- Celtic button, 11- Celtic button on the bight (and thus doubled and with lanyard loop), 12- Friendship, 13- Figure-eight, 14- Overhand
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
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The Great Torc weighs slightly more than 1 kg (2 lb 3 oz) and is mostly made of gold alloyed with a small fraction of silver. [1] The torc was made in two ways: 64 [1] complex threads of metal were grouped into ropes and twisted around each other to create the crescent shaped necklace; the ends of the torc were cast in moulds with La Tène designs and welded onto the metal ropes to create the ...