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Not content to let her 13-part thriller series “The Stranger” disappear along with the platform on which it debuted, “The Killing” creator Veena Sud recut the project into a feature film ...
Gloom, deployed as a storytelling tactic, can exert a strange, unsettling pull when it’s as capably and beautifully conveyed as in Syrian director Ameer Fakher Eldin’s “The Stranger ...
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The review aggregator website Rotten Tomatoes reported an 87% approval rating for the miniseries with an average rating of 6.6/10, based on 23 reviews. The website's critical consensus states, "If not quite as addicting [sic] as its source material, The Stranger has a strong cast and enough tension to keep viewers on the edge of their seats."
In the same interview, when asked what prompted him to write the book, Daoud stressed the centrality of The Stranger to his identity as an Algerian Francophone writer. [1] In other outlets, Daoud has confirmed the integral role that The Stranger played in the genesis of The Meursault Investigation, describing his novel as "a dialogue with Camus."
A stranger is commonly defined as someone who is unknown to another. Since individuals tend to have a comparatively small circle of family, friends, acquaintances, and other people known to them—a few hundred or a few thousand people out of the billions of people in the world—the vast majority of people are strangers to one another.
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The Stranger (French: L'Étranger [letʁɑ̃ʒe], lit. ' The Foreigner ' ), also published in English as The Outsider , is a 1942 novella written by French author Albert Camus . The first of Camus's novels published in his lifetime, the story follows Meursault, an indifferent settler in French Algeria , who, weeks after his mother's funeral ...