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The Inspiration of Saint Matthew (1602) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. Commissioned by the French Cardinal Matteo Contarelli, the canvas hangs in Contarelli chapel altar in the church of the French congregation San Luigi dei Francesi in Rome, Italy .
The works evoke three major stages in the life of the apostle Saint Matthew: his calling by Jesus Christ (The Calling of St Matthew), his writing of the Gospel guided by an angel (The Inspiration of Saint Matthew), and his martyrdom (The Martyrdom of Saint Matthew). They are still preserved in the Church of St. Louis of the French.
It is dedicated to Saint Matthew, whose relics are inside the crypt. The Cathedral was built when the city was the capital of the Principality of Salerno , over a more ancient church ("Church of S. Maria degli Angeli and S. Giovanni Battista") probably from the last roman centuries.
The Martyrdom of Saint Matthew (Italian: Martirio di San Matteo; 1599–1600) is a painting by the Italian master Michelangelo Merisi da Caravaggio.It is located in the Contarelli Chapel of the church of the French congregation San Luigi dei Francesi in Rome, where it hangs opposite The Calling of Saint Matthew and beside the altarpiece The Inspiration of Saint Matthew, both by Caravaggio.
The chapel owes its existence to an endowment left by the French cardinal, Matthieu Cointerel (Contarelli in Italian), who died in 1585. He left instructions for the decoration of the chapel, the first one to the left of the apse, which he had purchased within San Luigi dei Francesi ("Saint Louis of the French"), the church of the French community in Rome in 1565. [3]
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.
Evangelist portrait of Saint Matthew Folio 162 recto, the start of the Gospel of John Folio 24 verso, showing the names of Otto the Great and his mother Matilda The Athelstan Gospels , or British Library , Cotton MS Tiberius A. ii is a late 9th or early 10th-century Ottonian illuminated Gospel book which entered England as a gift to King ...
The importance of music was vital and created a pathway for Caravaggio to navigate Baroque music with the help of del Monte. [13] Music proved to be important to both artist and patron when it came to artistic rendering due to the movement ability to showcase the patrons wealth and interests when he hosted visitors in his home. [13]