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Nothing but Trouble is a 1991 American black comedy horror [3] film written and directed by Dan Aykroyd in his directorial debut, based on a story by his brother Peter, and starring Chevy Chase, Dan Aykroyd (in a dual role), John Candy (in a dual role), and Demi Moore. It tells the story of two yuppies and the clients of one of them who are ...
Peter Aykroyd appeared in such films as Spies Like Us, Dragnet, Nothing but Trouble and Coneheads. [2] Aykroyd died in Spokane, Washington on November 6, 2021, at age 65, from sepsis caused by an untreated abdominal hernia. [6] [7] His death was first announced two weeks later, through a title card on Saturday Night Live. [8]
A majority of the cast in O Lucky Man!, a 1973 British comedy-drama, play multiple roles. George O'Brien as Travis and Japheth in Noah's Ark (1928) Brendan O'Carroll as Agnes Brown and Mr. Wang in Mrs. Brown's Boys D'Movie (2014) Frances O'Connor as Alison Gardner and Nicole DelaRusso in Bedazzled (2000)
Nothing But Trouble is a 1944 Laurel and Hardy feature film released by Metro-Goldwyn-Mayer and directed by Sam Taylor. Nothing but Trouble was completed in August 1944 but stayed on the shelf for seven months; MGM was rushing all of its military-themed productions into release first.
Nothing but Trouble: Dan Aykroyd: Chevy Chase, Dan Aykroyd, Demi Moore: United States [133] Only the Lonely: Chris Columbus: John Candy, Maureen O'Hara, Ally Sheedy: United States: Romantic Comedy-Drama [134] Oscar: John Landis: Sylvester Stallone, Ornella Muti, Peter Riegert: United States [135] Other People's Money: Norman Jewison
Last year, Smith revisited the characters in Clerks III, with Randal and Dante coming full circle and, taking a cue from Smith’s life, deciding to make a movie about their own lives.And if Smith ...
Gridlock'd is a 1997 American black comedy crime film written and directed by Vondie Curtis-Hall, and starring Tupac Shakur, Tim Roth, Lucy Liu and Thandiwe Newton.It was the directorial debut of Curtis-Hall, who also has a small role in the film.
Crowther admired the climax of the film: “The melee in the bullring (which looks like newsreel footage), with occasional shots of the comedians running around among the crowds and the stampeding bulls, is the best part of the picture.” [5]