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It used 35mm slide film to produce stereo pair images in the standard 5P Realist format. This allowed Kodak Stereo Camera owners to use most accessories and services originally designed for the Stereo Realist. It was the second best selling stereo camera of the 1950s era, eclipsed only by the Stereo Realist.
It slightly resembles cameras like the German Wirgin Edinex and Adox Adrette. [4] It takes thirty-six 24×36 mm frames on 135 film. The precision molded black Bakelite body has satin-chromed top and base plates, and a collapsible finder is mounted on top center. The removable Bakelite back with the attached base plate slides easily off for film ...
We pick the best film cameras from the past few decades, and not just museum pieces but practical classics you can use today
The MP is available in chrome and black paint and with viewfinders of .58, .72 and .85 magnification. M-A (typ 127) – 2014 – current model (as of 2021). A 35mm film camera with no light meter or other electronic components. It is available in silver chrome or black chrome and has a .72 magnification viewfinder as standard.
The Kodak Signet 35 was a 35mm rangefinder camera produced by the Eastman Kodak Company from 1951 to 1958. The Kodak Signet series of 35mm cameras [1] was Kodak's top American-made 35mm camera line of the 1950s, into the early 1960s.
Eastman High Contrast Black/White Positive Film c. 1999 no: Used for title production 5366/7366 Eastman Fine Grain Duplicating Positive Film c. 1999 no: 2374 Kodak Panchromatic Sound Recording Film c. 1999 no: ESTAR-based and 35 mm only. For optical soundtrack recording use. 2378E/3378E Eastman EXR Sound Recording Film c. 1999 no: ESTAR-based only.