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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
According to Plato, lexis is the manner of speaking.Plato said that lexis can be divided into mimesis (imitation properly speaking) and diegesis (simple narrative). Gerard Genette states: "Plato's theoretical division, opposing the two pure and heterogeneous modes of narrative and imitation, within poetic diction, elicits and establishes a practical classification of genres, which includes the ...
In classical rhetoric and poetic theory, decorum designates the appropriateness of style to subject. Both Aristotle (in, for example, his Poetics) and Horace (in his Ars Poetica) discussed the importance of appropriate style in epic, tragedy, comedy, etc. Horace says, for example: "A comic subject is not susceptible of treatment in a tragic style, and similarly the banquet of Thyestes cannot ...
Aristotle expands on the use of appropriate style in addressing the subject. " Lexis will be appropriate if it expresses emotion and character and is proportional to the subject matter". Aristotle stresses emotion, credibility, genus (like age), and moral state as important considerations. [ 1 ] :
A significant example of epideictic writing in Chinese poetry is the fu rhapsody that developed in the early Han dynasty. This highly ornamented style was used for almost any subject imaginable, and often incorporated obscure language with extensive cataloguing of rare items, all in verse of varying rhyme and line length. [10]
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Like a good spice rub, similes and metaphors can add flavor to a poem, David L. Harrison writes. But you don't want to over- or underseason.
Aristotle, in The Poetics (20), defines the parts of diction [7] as the letter, the syllable, the conjunction, the article, the noun, the verb, the case, and the speech , [8] though one commentator remarks that "the text is so confused and some of the words have such a variety of meanings that one cannot always be certain what the Greek says ...