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"Maneater" is a song by American duo Hall & Oates, featured on their eleventh studio album, H 2 O (1982). It reached number one on the Billboard Hot 100 chart on December 18, 1982. [ 5 ] It remained in the top spot for four weeks, longer than any of the duo's five other number-one hits, including " Kiss on My List ", which remained in the top ...
The Man-eater of Mfuwe was a sizeable male Southern African lion (Panthera leo melanochaita) responsible for the deaths of six people. Measuring 3.2 metres (10 ft) long and standing at 1.2 metres (3.9 ft) tall at the shoulders, with a weight of 249 kilograms (500 lbs), [ 1 ] it is the largest man-eating lion on record.
The usage of free time is almost absent in popular music. The Allman Brothers Band was known for occasionally dropping into free time segments on their lengthy live jams. An example can be found on "Whipping Post" on the live album At Fillmore East. The band drops into a lengthy free time at the 10-minute mark, before coming back into 11 8 time ...
Maneater or man-eater may refer to: Man-eating animal , an individual animal or being that preys on humans as a pattern of hunting behavior Man-eating plant , a fictional form of carnivorous plant large enough to kill and consume a human or other large animal
Steve Huey of AllMusic wrote, what sets the music apart is the delivery of melody through single-note guitar lines and drummer Modeliste's "dominating" performance. He gave the album a five star rating and added "for devoted funk fans, Funkify Your Life should be considered essential listening."
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In music, the terms additive and divisive are used to distinguish two types of both rhythm and meter: . A divisive (or, alternately, multiplicative) rhythm is a rhythm in which a larger period of time is divided into smaller rhythmic units or, conversely, some integer unit is regularly multiplied into larger, equal units.
The Meters is the debut album by the American funk group The Meters. It was released in May 1969, the first of eight albums by the band. The band's early works were developed through improvisation. [1] Band members had spent most of the 1960s performing together in nightclubs of New Orleans.