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Vocal learning is the ability to modify acoustic and syntactic sounds, acquire new sounds via imitation, and produce vocalizations. "Vocalizations" in this case refers only to sounds generated by the vocal organ (mammalian larynx or avian syrinx) as opposed to by the lips, teeth, and tongue, which require substantially less motor control. [1]
Sound also resonates within different parts of the body, and an individual's size and bone structure can affect somewhat the sound produced by an individual. Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation. Another major influence on vocal sound and ...
A process for mass-producing duplicate wax cylinders by molding instead of engraving them was put into effect in 1901. [15] The development of mass-production techniques enabled cylinder recordings to become a major new consumer item in industrial countries and the cylinder was the main consumer format from the late 1880s until around 1910.
The human mouth moves in distinct ways during speech production. When producing each individual sound out loud, humans use different parts of their mouths, as well as different methods to produce particular sounds. During the beginnings of babbling, infants tend to have greater mouth openings on the right side.
Describing vocal sound is an inexact science largely because the human voice is a self-contained instrument. Since the vocal instrument is internal, the singer's ability to monitor the sound produced is complicated by the vibrations carried to the ear through the Eustachean (auditory) tube and the bony structures of the head and neck.
Sound also resonates within different parts of the body and an individual's size and bone structure can affect the sound produced by an individual. Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation. Another major influence on vocal sound and production ...
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For example, the sounds /b/ and /p/ differ in the amount of breathiness that follows the opening of the lips. Using a computer generated continuum in breathiness between /b/ and /p/, Eimas et al. (1971) showed that English-learning infants paid more attention to differences near the boundary between /b/ and /p/ than to equal-sized differences ...