Search results
Results From The WOW.Com Content Network
"Wrong Again" is a song recorded by American country music artist Martina McBride. It was written by Cynthia Weil and Tommy Lee James along with production by McBride and Paul Worley. It was released on September 14, 1998, as the second single from McBride's fourth studio album Evolution (1997). Neil Thrasher and Sara Evans appear as backing ...
Martina Mariea McBride (née Schiff, born July 29, 1966) is an American country music singer and songwriter. She is known for her soprano singing range and her country pop material. McBride was born in Sharon, Kansas , and relocated to Nashville, Tennessee , in 1989.
The song "Ode to Mel Bay" (written and first recorded by Michael "Supe" Granda of the Ozark Mountain Daredevils and featured on the album The Day Finger Pickers Took Over the World by Tommy Emmanuel and Chet Atkins), is a light-hearted song about Mel Bay's encyclopedia of guitar chords and the books in general.
McBride's fourth studio album Evolution was released in August 1997 and is her best-selling album to date, certifying three times platinum in the United States. [1] [2] The album spawned six singles which all became major hits including, "A Broken Wing", "Wrong Again", and "Whatever You Say".
"A Broken Wing" is a song written by James House, Sam Hogin and Phil Barnhart, and recorded by American country music singer Martina McBride. It was released in September 1997 as the second single from McBride's album Evolution. In January 1998, "A Broken Wing" became McBride's second Number One single.
Major-thirds tuning is a regular tuning in which the musical intervals between successive strings are each major thirds. [29] [30] [31] Unlike all-fourths and all-fifths tuning, major-thirds tuning repeats its octave after three strings, which again simplifies the learning of chords and improvisation. [32]
The most basic three-chord progressions of Western harmony have only major chords. In each key, three chords are designated with the Roman numerals (of musical notation): The tonic (I), the subdominant (IV), and the dominant (V). While the chords of each three-chord progression are numbered (I, IV, and V), they appear in other orders.
In major keys, the chords iii and vi are often substituted for the I chord, to add interest. In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means ...