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The Kuji-in (九字印), “Nine Hand Seals,” refers to the mudra (hand seals/gestures) associated with the nine syllables themselves, whereas kuji-ho refers to the entire ritual of kuji and encompasses the mudra, mantra and meditation. Kuji-kan (nine syllable visualization) is a specialized form of Buddhist meditation.
Signs consist not just of a manual gesture, but also mouthing (口話, kōwa, 'mouth talk') (pronouncing a standard Japanese word with or without making a sound). The same sign may assume one of two different but semantically related meanings, as for example in home and house , according to its mouthing .
Bowing Bowing in the tatami room. Bowing (お辞儀, o-jigi) is probably the feature of Japanese etiquette that is best known outside Japan. Bowing is extremely important: although children normally begin learning how to bow at a very young age, companies commonly train their employees precisely how they are to bow.
Gestures are culture-specific and may convey very different meanings in different social or cultural settings. [2] Hand gestures used in the context of musical conducting are Chironomy, [3] while when used in the context of public speaking are Chironomia. Although some gestures, such as the ubiquitous act of pointing, differ little from one ...
People bowing in Japan. Bowing in Japan (お辞儀, Ojigi) is the act of lowering one's head or the upper part of the torso, commonly used as a sign of salutation, reverence, apology or gratitude in social or religious situations. [1] Historically, ojigi was closely affiliated with the samurai.
The mida no jōin (弥陀定印) is the Japanese name of a variation of the dhyāna mudra, where the index fingers are brought together with the thumbs. This was predominantly used in Japan in an effort to distinguish Amitābha (hence "mida" from Amida) from the Vairocana Buddha, [11] and was rarely used elsewhere.
A hand in a beckoning position. A beckoning sign is a type of gesture intended to beckon or call-over someone or something. It is usually translated into "come here". This form of nonverbal communication varies from culture to culture, each having a relatively unique method of indicating invitation or enticement.
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
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