Ads
related to: digital imaging in movies
Search results
Results From The WOW.Com Content Network
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
Digital imaging or digital image acquisition is the creation of a digital ... DIAR is used to create immersive gaming experiences and interactive movies. In education ...
Because of the relatively large size of the imaging area these media provide, they can record higher resolution images than most consumer digital cameras. Based upon the above pixel density, a medium-format film image can record an equivalent resolution of approximately 83 million pixels in the case of a 60 x 60 mm frame, to 125 million pixels ...
Digital movies are projected using a digital video projector instead of a film projector, are shot using digital movie cameras or in animation transferred from a file and are edited using a non-linear editing system (NLE). The NLE is often a video editing application installed in one or more computers that may be networked to access the ...
Digital loaders may be independent or work under a digital imaging technician. A data wrangler is another common term for the role of digital loader. [3] A digital loader supports the camera department by managing, transferring and securing all the digital data acquired on-set via any digital cinematography cameras, interacting with the 2nd AC.
Splitting a film image into three colours in a Spirit DataCine scanning machine, 2006. The front end of a motion picture film scanner is similar to a telecine.The imaging system may be either a charge-coupled device (CCD), a complementary metal–oxide–semiconductor (CMOS) or photomultipliers imaging pick up.
Silicon Imaging SI-2K: 2008 The first predominantly digitally photographed film to win the Academy Award for Best Cinematography. Shot on multiple formats, including 35mm and digital stills. Rachel Getting Married: Declan Quinn: Sony CineAlta F23: 2008 You Don't Mess With The Zohan: Michael Barrett Panavision Genesis: 2008 Chemical Wedding ...
The process rapidly caught on in the mid-2000s. Around 50% of Hollywood films went through a digital intermediate in 2005, increasing to around 70% by mid-2007. [4] This is due not only to the extra creative options the process affords film makers but also the need for high-quality scanning and color adjustments to produce movies for digital ...