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Artemisia's father was the satrap of Halicarnassus, Lygdamis I (Λύγδαμις Α') [6] [7] [8] and her mother was from the island of Crete. [9] [10] She took the throne after the death of her husband, as she had a son, named Pisindelis (Πισίνδηλις), who was still a youth.
An episode of the British television crime series Endeavour (2018) depicts a series of murders inspired by Artemisia's biblical paintings of women taking vengeance on the men who harmed or abused them. [61] Artemisia was the subject of a 2015 BBC documentary, Michael Palin's Quest for Artemisia. [77]
Judith is shown wearing a cobalt blue dress with gold accents and her maidservant wears a red gown. Both women have their sleeves rolled up. As a follower of Caravaggio, Artemisia Gentileschi makes use of chiaroscuro in the painting, with a dark background contrasting with the light shining directly on the scene of Judith beheading Holofernes.
In the 1610s, Artemisia was raped by an older member of the workshop, Agostino Tassi, an event which coloured the rest of her life and is reflected in her art, which often shows subjects with a "Power of Women" themes such as Judith Slaying Holofernes and Salome with the Head of St. John the Baptist. The artist's focus on her work, away from ...
While under oath, and throughout torture by the Sibille, Artemisia avowed: “It’s true, it’s true, it’s true, everything that I said.” [4] Tassi was ultimately found guilty of the crime and temporarily banished from Rome. Artemisia Gentileschi, Judith Slaying Holofernes, c 1612, Museo e Real Bosco di Capodimonte, Naples, Italy
The work is signed "Artemisia Lomi", the name she assumed while working in Florence to associate herself with her uncle Aurelio Lomi, who had already established a reputation there. [1] Yael Evan mentions that Gentileschi desired to be treated as if she was a male painter. [8] During this time period, women were not allowed into any academy of ...
Judith slaying Holofernes by Artemisia Gentileschi, 1614–18. Gentileschi and others of her generation, produced an array of paintings of strong female women in literature, including Judith's beheading of Holofernes. Agostino Tassi was both her teacher and then her convicted rapist. [5] It is also said that he was the model for Holofernes. [6]
Colossal statues of a man and a woman from the Mausoleum at Halicarnassus, traditionally identified as Artemisia II and Mausolos, around 350 BCE, British Museum.. While Artemisias father is known to have been Hekatomnos, the identity of her mother is less clear.