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Download as PDF; Printable version; In other projects Wikidata item; ... Driven is a 2012 novel by James Sallis that is a sequel to the novel Drive (2005). [1] [2] [3]
James Sallis (born December 21, 1944) is an American crime writer who wrote a series of novels featuring the detective character Lew Griffin set in New Orleans, and the 2005 novel Drive, which was adapted into a 2011 film of the same name. Sallis began writing science fiction for magazines in the late 1960s.
Drive is a 2005 noir novel by American author James Sallis. The book was first published on September 1, 2005, through Poisoned Pen Press. In 2011, it was adapted into a feature film of the same name starring Ryan Gosling and directed by Nicolas Winding Refn with a screenplay by Hossein Amini. A sequel novel, Driven, was published in 2012. [1]
Its inaugural publication was Two-Way Split, the first novel by Allan Guthrie, followed by novels and short story collections from James Reasoner, James Sallis, Gary Phillips, O'Neil De Noux, Ed Lynskey, and many others. Point Blank published the first novels of Allan Guthrie, Donna Moore, Ray Banks, Dave Zeltserman and Duane Swierczynski.
"Binaries" by James Sallis "Lost in the Marigolds" by Lee Hoffman and Robert E. Toomey, Jr. "Across the Bar" by Kit Reed "The Science Fair" by Vernor Vinge "The Last Leaf" by W. Macfarlane "When All the Lands Pour Out Again" by R. A. Lafferty "Only the Words Are Different" by James Sallis "The Infinity Box" by Kate Wilhelm
James Sallis declared that The Man Who Fell to Earth was "among the finest science fiction novels," saying "Just beneath the surface it might be read as a parable of the Fifties and of the Cold War. Beneath that as an evocation of existential loneliness, a Christian fable, a parable of the artist.
The other is a page-long prose poem, “The Dying Castles,” which appeared in a 1968 issue of the British SF magazine New Worlds (#200), as under the joint authorship of James Sallis, Samuel R. Delany, and Michael Moorcock. (Several times Delany has said that he has no memory of having written any part of it; and he has assumed the use of his ...
James Sallis, writing in 2003 in the Boston Globe: This is a book, mind you, that I'd place not only among the greatest science fiction but among our very best novels. Each time I read it, I'm profoundly affected, affected in a way only the greatest art — Ulysses , Matisse or Beethoven symphonies, say — affects me.