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Review by Larry Greenhill, "Lipinski Sound L-707 loudspeaker", Stereophile, December, 2005, retrieved on September 5, 2007. Moura, Brian. "Lipinski Sound's Audiophile Speaker Debut Features SACD Demo". High Fidelity Review. Archived from the original on September 27, 2007; Long, Russ (April 1, 2005).
The Isobarik, like the Sara and Kan that were developed in the 1970s and 80s, was designed to work best near room boundaries. [8] Manufacturer's leaflets advise positioning of the speaker close to a rear wall and approximately 2 to 3 feet (60 to 90 cm) from corners. [4] [7] The trade-off is the less than solid stereo image. [1]
The next speaker in the 604 line to be released was the 604B, with a slightly higher power handling at 30 watts and a better frequency response ranging from 30 Hz to 16 kHz. Also, this speaker had a lower crossover frequency of 1000 Hz. Following the 604B came the 604C.
The LS3/5A is a commercially produced loudspeaker driven by the need of the BBC to monitor and assess broadcast programme quality. It was derived from the LS3/5, which was conceived and developed by the BBC Engineering Department in the early 1970s, when it was under the stewardship of Dudley Harwood. [2]
Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.
Pearson is credited as being the most important figure in the rise of High-End audio. [3] Until the mid- to late 1990s, Pearson owned and directed all rights to TAS. The magazine was published by Pearson Publishing Inc., which also published a sister high-end video review magazine published quarterly called The Perfect Vision.