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The Opium War (鸦片战争) is a 1997 Chinese historical epic film directed by Xie Jin. The winner of the 1997 Golden Rooster and 1998 Hundred Flowers Awards for Best Picture, the film was screened in several international film festivals, notably Cannes and Montreal .
The Chinese Opium Wars. London: Hutchinson. ISBN 978-0-09-122730-2. Fay, Peter Ward (1975). The Opium War, 1840–1842: Barbarians in the Celestial Empire in the Early Part of the Nineteenth Century and the War by Which They Forced Her Gates Ajar. Chapel Hill: University of North Carolina Press. ISBN 978-0-8078-1243-3. Gelber, H. (2004).
It was the second major conflict in the Opium Wars, which were fought over the right to import opium to China, and resulted in a second defeat for the Qing and the forced legalisation of the opium trade. It caused many Chinese officials to believe that conflicts with the Western powers were no longer traditional wars, but part of a looming ...
Several wars would lead to the creation of colonial concessions taken from Qing China. These included the First Opium War (1839–1842), Second Opium War (1856–1860), Sino-French War (1884–1885), First Sino-Japanese War (1894–1895), and Russian invasion of Manchuria (1900). [18]
In 'Smoke and Ashes,' Amitav Ghosh draws comparisons between America's modern opioid crisis and the West's flooding of China with opium in the 18th century.
In 1839, China found itself fighting the First Opium War with Britain. China was defeated, and in 1842, signed the provisions of the Treaty of Nanking which were first of the unequal treaties signed during the Qing dynasty.
The Second Opium War also known as the Arrow War, in 1856-60 saw a joint Anglo-French military mission including Great Britain and the French Empire win an easy victory. The agreements of the Convention of Peking led to the ceding of Kowloon Peninsula as part of Hong Kong .
Building upon the frameworks of media imperialism and cultural imperialism, researchers have focused on everything from the international expansion of China's Internet companies [57] and movie industries [58] to the "soft power" and public diplomacy campaigns of China's state media companies in other countries [59] as examples of media ...