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Bilingual vase painting is a special form of ancient Greek vase painting. The term, derived from linguistics, is essentially a metaphorical one; it describes vases that are painted both in the black-figure and in the red-figure techniques. It also describes the transitional period when black-figure was being gradually replaced in dominance by ...
A different example of the eye-cup shape. Chalkidian black-figure eye-cup, circa 530 BC The bilingual eye-cup by the Andokides painter in the Museo Archeologico Regionale, Palermo (not illustrated), is a prime example of the transition from black-figure vase painting to the red-figure style in the late 6th century to early 5th century BC that commonly resulted in "bilingual" vases, using both ...
The vase measures 53.5 cm high and 22.5 cm in diameter. It dates to between 520 and 510 BC and was discovered at Vulci. It was acquired by Martin von Wagner, an agent of Ludwig I of Bavaria. As a bilingual vase, it is an important archaeological source for the transition from attic black-figure pottery to the red-figure style. Bilingual vases ...
Beth Cohen in her publication Attic Bilingual Vases and Their Painters, [9] produced a definitive study of the bilingual vase form. She closely observed certain details, drawing styles, themes, compositions, and preferences in order to establish artistic personalities, a chronology of the vases, and the relationship of the scenes to one another.
Pages in category "Ancient Greek vase-painting styles" The following 49 pages are in this category, out of 49 total. This list may not reflect recent changes .
In total, about 30 known vases are ascribed to him. His collaboration with the Andokides Painter, usually considered the inventor of red-figure vase painting, is unusual. On seven bilingual vases, six belly amphorae and a cup (now in Palermo), he painted the red-figure side, while the Andokides Painter was responsible for the black-figure one ...
His first vases were bilingual eye-cups. The eight bilingual cups were painted using two techniques: the black-figure technique on the interior, largely focusing on animal designs in circular formations, and the red-figure painting technique on the exterior, showcasing designs of palmettes, eyes, and occasionally figures. [2]
Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadelphia, U. PA, Mus., 5349), he signed two red-figure alabastra as painter, both of which bear the signature of the potter Hilinos ...