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Ophelia (/ oʊ ˈ f iː l i ə /) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately enters into a state of madness that leads to her drowning.
Comparing Ophelia to Electra, he condemns Shakespeare for allowing his heroine to become "immodest" in her insanity, particularly in the "Flower Scene". [9] [a] Collier's attack occasioned a widespread, often vituperative controversy. Hamlet in general and Ophelia in particular were defended by Thomas D'urfey and
Polonius forces Ophelia to return Hamlet's love letters to the prince while he and Claudius secretly watch in order to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet ...
Hamlet arrives with Horatio and banters with one of them, who unearths the skull of a jester whom Hamlet once knew, Yorick. Ophelia's funeral procession approaches, led by Laertes. Hamlet interrupts, professing his own love and grief for Ophelia. He and Laertes grapple, but the fight is broken up by Claudius and Gertrude.
In Act II, Hamlet refers to Polonius as a "tedious old fool" [3] and taunts him as a latter day "Jephtha". [4] Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet.
The Gravediggers appear briefly in Shakespeare's tragedy Hamlet, making their only appearance at the beginning of Act V, scene i. They are first encountered as they are digging a grave for the newly deceased Ophelia, discussing whether she deserves a Christian burial after having killed herself. Soon, Hamlet enters and engages in a quick ...
Under their referencing system, 3.1.55 means act 3, scene 1, line 55. References to the First Quarto and First Folio are marked Hamlet "Q1" and Hamlet "F1", respectively, and are taken from the Arden Shakespeare "Hamlet: the texts of 1603 and 1623" (Thompson and Taylor, 2006b). Their referencing system for "Q1" has no act breaks, so 7.115 means ...
The Hamlet of the supposed earlier play also uses his perceived madness as a guise to escape suspicion. Eliot believes that in Shakespeare's version, however, Hamlet is driven by a motive greater than revenge, his delay in exacting revenge is left unexplained, and that Hamlet's madness is meant to arouse the king's suspicion rather than avoid it.