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An example of a single dissonant note which requires resolution would be, for instance, an F during a C major chord, C–E–G, which creates a dissonance with both E and G and may resolve to either, though more usually to E (the closer pitch). This is an example of a suspended chord.
Melodic motion: ascending vs. descending X conjunct vs. disjunct. Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic ...
In music and jazz improvisation, a melodic pattern (or motive) is a cell or germ serving as the basis for repetitive pattern. It is a figure that can be used with any scale . It is used primarily for solos because, when practiced enough, it can be extremely useful when improvising .
In Western musical theory, a cadence (from Latin cadentia ' a falling ') is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. [2] A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. [3]
The figured bass is the same as the descending 5-6 sequence, but the bass itself follows an ascending pattern rather than a descending pattern. [8] Image of the ascending 5-6 sequence in music. The use of a similar 5-6 pattern outside of sequence is fairly common and is called 5-6 technique.
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The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded:
Plot structure refers to the configuration of a plot in terms of its exposition, rising action, climax, falling action, and resolution/denouement. For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually ...