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Deer horn knives are especially associated with the soft style Chinese martial art Baguazhang, which is known for its diverse weaponry. They are mainly used in trapping an opponent's weapon in aid of tying up or breaking the opponent's weapon, disarming the opponent and other close combat applications.
Before the Spring and Autumn period, during the Shang dynasty, cowrie shells had been used as an early type of money. In the Zhou period, their use became more stylised with replica shells made of porcelain, jade or metal coming into use. Some sources suggest that early round coins were a highly stylised representation of the cowrie shells.
Butch, femme, drag, camp, zhuzh and more are now in common parlance, thanks to Polari, as well as some quite spicy terms, like cherry, dish and more (but more on that later).
The flying claw, flying talon, or soft talon (Chinese: 飛爪; pinyin: fēizhuǎ / fēizhǎo) is used to ensnare a foe and throw him off balance. It originated in China during the Sui dynasty and is one of the flexible or soft weapons in the Chinese martial arts. It features metal hand or claw on the end of a chain or rope.
The steel-tipped spear was one of the main weapons used by soldiers in Southeast Asia, along with the kris, sword and shield. The spear usually has horse-hair attached near he blade. Contrary to the western misconception that it is used to distract opponents, the horse-hair's true purpose is to prevent the enemy's blood from dripping onto the ...
Buster Warenski (June 5, 1942 – July 31, 2005) was an American custom knifemaker from Kimberly, Nevada who made "Art Knives" utilizing gold and other precious metals. Warenski is best known for making a reproduction of Tutankhamun 's dagger with a forged gold blade; over 32 ounces of gold were used in the construction of the dagger, making it ...
Upon further investigation of the ingredients section on White Claw's label, they break down their hard seltzer formula as follows: purified carbonated water, alcohol, natural flavors, cane sugar ...
The earliest known reference to the rope dart as a distinct weapon from the meteor hammer or flying claw is a drawing in a 19th-century book about street vendors in Beijing. The context and items in this drawing as well as photographs from the early 20th century of similar content suggest these rope darts are intended for use in performance art.