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1888 – Roundhay Garden Scene, the earliest surviving film by French inventor Louis Le Prince, is shot in Leeds, West Yorkshire in England with a groundbreaking 20 frames per second. Other short films made at the same time were Accordion Player and Traffic Crossing Leeds Bridge.
In contrast to the beginning of the 1950s, when only 5 films were made per year, 111 films were produced in South Korea in 1959. [125] The 1950s was also a 'Golden Age' for Philippine cinema, with the emergence of more artistic and mature films, and significant improvement in cinematic techniques among filmmakers. The studio system produced ...
U2 3D was the first live-action film to be shot, posted, and exhibited entirely in 3D, [129] the first live-action digital 3D film, [130] and the first 3D concert film. [131] Regarding its production, it was the first 3D film shot using a zoom lens , [ 132 ] an aerial camera , [ 133 ] and a multiple-camera setup . [ 130 ]
This is an alphabetical list of film articles (or sections within articles about films). It includes made for television films . See the talk page in A for the method of indexing used.
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
This is a list of the first films by country. This table shows the earliest known film productions by country, or successor state. ... O.J.: Made in America (2016 ...
First CGI feature-length digital film to be made based on photorealism and live-action principles. The first theatrically released feature film to utilize motion capture for all of its characters actions. [43] Jimmy Neutron: Boy Genius: First CGI feature-length movie made using off-the-shelf hardware and software. Shrek
The color boom was aided by the breakup of Technicolor's near-monopoly on the medium. The last stand of black-and-white films made by or released through the major Hollywood studios came in the mid-1960s, after which the use of color film for all productions was effectively mandatory and exceptions were only rarely and grudgingly made.