Search results
Results From The WOW.Com Content Network
A clay model of a chicken, designed to be used in a clay stop motion animation [1]. Stop motion (also known as stop frame animation) is an animated filmmaking and special effects technique in which objects are physically manipulated in small increments between individually photographed frames so that they will appear to exhibit independent motion or change when the series of frames is played back.
A type of stop-motion animation which attempts to simulate motion blur in each frame involving motion. Ordinary stop-motion animation can result in a disorienting "staccato" effect because the animated object has a perfectly sharp appearance in every frame (since each frame was actually shot when the object was perfectly still); by contrast ...
John Walsh, author of Harryhausen: The Lost Movies, calls Harryhausen "the most influential stop-motion animator and special-effects wizard in cinema history." [ 31 ] In November 2016 the BFI compiled a list of those present-day filmmakers who claim to have been inspired by Harryhausen, including Steven Spielberg , Peter Jackson , Joe Dante ...
For premium support please call: 800-290-4726 more ways to reach us
There are many different types of stop-motion animation, usually named after the materials used to create the animation. [85] Computer software is widely available to create this type of animation; traditional stop-motion animation is usually less expensive but more time-consuming to produce than current computer animation. [85] Stop motion
Object animation is a form of stop motion animation that involves the animated movements of any non-drawn objects such as toys, blocks, dolls, and similar items which are not fully malleable, as plasticine (clay) or wax are, and not designed to look like recognizable human or animal characters.
For premium support please call: 800-290-4726 more ways to reach us
The substitution splice [1] [2] or stop trick [3] is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation [2] by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots.